Face to Face with the past
It was once written that the late Del Rio artist, Consuelo “Chelo” González Amézcua, was a naive visionary, seemingly implying that she knows not what she did. However, one glance at her work and one pass through her history clearly indicate that the use of a word defined “as lack of experience, wisdom or judgment” is a gross misnomer; erroneous.
So, it is the present’s duty to correct the past’s errors. But let’s start a few months back; give this narrative some context. While digging for research in a file cabinet at the Whitehead Memorial Museum (for a piece on the Border Radio) I came across a manila folder labeled “Gonzalez, Chelo.” I would have skipped over it but a slightly yellowing page from the San Antonio Express-News was protruding and I was able to see “Del Rio artist...Smithsonian exhibit.” The words “artist” and “Smithsonian” aren’t commonly found in the same sentence. Naturally, this piqued my interest. After anxiously consuming the contents of the folder, I soon realized that Del Rio had been home to an artistic icon who, unfortunately, experienced the proverbial 15 minutes of Andy Warhol-defined fame. Actually, you could argue that she should have been as revered and renown as Mr. Pop Art. Anyhow, I quickly decided Del Rio needed a reunion with the artist known as “Chelo.” Anything but would be an injustice. And voila, an article was born. A completely self-taught artist, González’ works were amazingly created in the 1960s with a pedestrian ballpoint pen and cardboard. Amazingly, she was already rolling through her sixties by then.
According to the Express-News article, each drawing required nearly 90 hours of labor spanning a period of 18 days. Hers had to be a cathartic labor of love. The specific work that compelled people to take note was “ABen-amar the Christian,” a drawing steeped in medieval Spanish culture, Moorish structural sensibilities and Arabic designs. It is now housed at the Smithsonian American Art Museum along with “Untitled” and “Prince Abu Zabi y Su Jardin.,” the latter two created in a style similar to “ABen-amar the Christian.” González referred to her artistic creations as “filigree drawings” in reference to a jewelry making style used in Mexico. Born in Piedras Negras, González received only six years of formal education and was working at a dime store when her art was discovered by Dr. Amy Freeman Lee. Lee had given an art lecture at the Val Verde County Library in 1967, and after the talk, she was honored at the home of a local resident. While at the home she noticed one of González’ paintings and was mesmerized. In 1968, the McNay Art Museum in San Antonio hosted Chelo’s first exhibition where every item was sold.
Her art was subsequently featured in a multitude of exhibitions at prominent galleries from Austin to New York as well as Mexico. Four of her drawings were included in a one-year national tour sponsored by Illinois Bell Telephone. Chelo’s subject matter was a reflection of her varied interests. In particular, Ancient Greek and Egyptian mythology and Christian themes. What was unusually satisfying about her artwork was the accompaniment of poetry. “ABen-amar the Christian” was complemented with a poem that told the story of a captured Christian woman and the son of a Moor who converted to Christianity. A bio written for a González exhibition at the Galerias Paco in New York stated that Chelo had painted a work on the Texcoco poet and king, Nezahualcoyotl.
Poetry with art is normally associated with Asian artistic practices but Chelo displayed an uncanny and high degree of art intelligence. “She intuitively knew of that tradition and, like the Chinese, wasn’t afraid to include a poem as part of her work,” said Lee in the San Antonio Express-News article. Chelo passed away in 1975 but the impact of her art carried on until the Smithsonian’s acceptance of her work in the early 1990s. After that, her legacy and magnetic oeuvres seemed to have been purloined by time and artistic apathy. This article aims to steal them back.
When Eduardo Venegas stepped foot in Tucson, Ariz. in 1999, after a decade stint in the U.S. Air Force, he wasn’t sure what path life would divert him to. Certainly not one behind a camera or in a room trying to piece together a story through clips and dialogue. And little did he know that his interest in music would be the catalyst taking him into a world of pretend and imagination.
“I had actually heard that there was a director here locally, in Tucson, Ariz., shooting a full-feature film and I had a buddy who mentioned it to me and he said, ‘You know, I know you do music and maybe this guy would be interested in listening to your music,’” said Venegas. The director didn’t have any use for music at the time but invited Venegas to the set to observe the production.
“Lo and behold...I guess the sound guy had not shown up or wasn’t able to make it that day and he had mentioned to me they were looking for a sound guy and if I was interested in helping them out. It was kind of being in the right place at the right time,” he explained.
In due course, Venegas was mentored by the director and his crew, working as a production assistant, loader, gaffer and grip, launching him on a trajectory to produce independent films. “Originally, it was never that I was really interested in filmmaking, I was interested in the process, the production side of everything and obviously the music,” he said. Venegas took advantage of the situation soaking up as much knowledge as possible before venturing out on his own. Ben Lopez, presently the executive director of the National Association of Latino Independent Producers (NALIP) and the director who was gracious enough to invite Venegas onto the set, became his most influential mentor “I wouldn’t be doing films if it weren’t for him,” Venegas asserted. Through a less-is-more pedagogical approach, the teacher encouraged the student to find the answer; to climb the ropes rather than be shown them.
Venegas feels that Lopez’ methodology was a very effective, yet indirect, way to develop his erudition. “It kind of robs you of your own drive when people just kind of give you the answers,” he affirmed. Venegas, who left Del Rio when he was 16 years old, said that growing up in the faded and flat environment of 1980s Del Rio gave him a storytelling platform. A place and time that forced creativity and imagination out of the aspiring artist. “What I latched onto was the ability to tell your own story...It taught me you have to create your own opportunities,” he said.
After staking his cinematic claim, Venegas formed Maldito Films (www.malditofilms.com), his unintended quest to become a filmmaker coming to fruition. Maldito’s most recent project, “Redington” is an engaging short that is a vehicle for a web series based on the story. Venegas has received solid feedback on the production’s acting, aesthetic and editing. But the headliner waiting to go on stage is “Bonaparte.”
A tale of a man detoured from his path by family and the tense and contentious relationship he has with his father. Penned by Del Rio author, Ronnie Stich, the movie was slated to run 17 to 18 minutes. Venegas has shot nearly 60 minutes of film and now is almost certain that it will be turned into a full-length feature film. “Bonaparte is still not a 100 percent out there yet,” he revealed.
Currently, only a trailer has been released. However, that was enough to pique the interest of actor J.T. Campos from the highly-popular USA Network series, “Queen of the South,” who subsequently joined the project.
Venegas is projecting an October of 2018 release. Check Maldito Films out on social media at www.facebook.com/Malditofilms.
When a player considers a baseball or softball glove, you’d assume Wilson or Rawlings would be crossing his or her mind. Right? But how about a Rundown mitt? Ever contemplate that brand? Rundown Gloves is a Del Rio, Texas startup that began offering quality gloves in November of 2017. And it has been hitting dingers ever since. Rundown owner, Jose Luis Rivera, said they have sold nearly 200 units since inception. They offer infielder, outfielder first-base, catcher, softball and kids gloves. The sizes span from nine to 15 inches. All of the gloves are made from 100-percent cowhide leather and manufactured in Mexico. Yet, what’s really cool about Rundown gloves is that customers can design their own glove. We’re talking name, jersey number and colors. “Have their name, have their flags...have the colors that they want,” Rivera said. Currently, customers provide Rundown sales representatives with their design request, which is then submitted to Rivera and sent to Mexico. He said the process will be streamlined once their website is fully developed. Customers will then be able to create their glove online, bypassing the sales reps. Rivera said the turnaround from order placement to delivery of the glove is a two-week window. However, he usually tells the buyer that it’s a three-week period in case of shipping delays. “Most companies will get you the glove between six to eight weeks. We get gloves done in less than two weeks,” he commented.
Rivera’s initial goal was to develop a line of wood bats, but he quickly realized that was a very complicated undertaking. Then the idea of customized gloves was born, albeit as more of a side interest. However, positive feedback from major league and minor league players, and customers in general, induced Rivera to think about it differently. “It was a hobby, but it’s becoming more serious...we never thought we were going to be that big,” he said. Rivera, originally from Puerto Rico, grew up in a baseball family and eventually ended up playing college ball at Jarvis Christian College in Hawkins, Texas, followed by a stint in professional baseball. After the side was retired on his competitive days, he decided to plant his entrepreneurial stake in Del Rio (his wife is from here). His strong ties to baseball have allowed a variety of doors to open. “My family is all baseball so we know a lot of baseball players...and a lot of coaches,” Rivera said. Rundown has representatives in San Antonio, Puerto Rico, New York, South Carolina, Florida and Oklahoma; California is next. Besides the glove company, Rundown is also very involved in the Del Rio community. They sponsor and coordinate an annual baseball/softball camp, a yearly baseball clinic that utilizes professional players as instructors and a Del Rio celebrity softball tournament that occurs on the same day as the clinic. The ultimate game plan is to have a line of practical apparel and accessories such as shirts, shorts, shoes, batting gloves and cleats. But in the here and now, it’s the gloves. And customers are loving it. “A lot of people like it, a lot of people loving it...I haven’t had any complaints yet and I haven’t had anybody return it yet.” www.facebook.com/Rundowngloves
Del Rio High School graduate (2016), and fleet of distance foot, Olivia Flores, is a runner. Was. Is. Will be. Presently, her running transpires on the stage of NCAA Division I cross country and track and field. To compete at that level, running must partially or wholly inform your life. What compels her to run? It’s all explained below. Flores, who will begin her junior year at the University of Texas at San Antonio (UTSA) at the end of the summer, graciously participated in a Q&A Face to Face interview via email. (Please note that the answers have been edited for space.)
FTF: What does running mean to your life?
OF: Running always has and always will hold a special place in my heart...It may just seem like a recreational activity for many people, but for us distance runners, it’s a way of life and a perfect metaphor for life. It has taught me that you can’t go out too fast or else you will burn out and you can’t go too slow or else everything will pass you by...it’s simply about picking a pace in your life and enjoying the scenery.
FTF: What events do you compete in at UTSA? Was it a difficult or fairly easy transition from high school to college?
OF: My main events are the 3k Steeplechase and the 5k flat race. As for cross country, I’ve had the opportunity to participate at the Conference USA (5k) meet both years, but this past year was my first time competing at the NCAA regionals cross country meet (6k) which took me by surprise but now I’m looking forward to my junior season. My goal for my 2018 XC season is to just build off my weak spots...and placing at least top 35 in the conference...2019 track season is to make it to the conference indoor meet for the 3k flat race with a 10:10 time (there’s no steeple race) and for
outdoor, my end goal is to medal at conference in the 3k steeplechase. The transition from high school to college was fairly easy besides the fact that I still had lots to learn. I wasn’t such an expert at distance running in high school and surely wasn’t the best...I went into distance running not knowing anything about it, not knowing how to take pace and how many miles were supposed to be kept on a pair of running shoes, I injured myself one year with a stress fracture, but I quickly learned from that injury.
FTF: How did participating in cross country and track at Del Rio High School prepare you for the collegiate level?
OF: College running has looked very similar to my high school days, the only thing different that I wish I could tell 16-year-old Olivia is that Sunday long runs are very crucial and every day of the week counts, even weekends, I never knew what the coaches in high school were talking about.
FTF: Can you tell us about your family?
OF: I grew up with my mom (Leonor Torres) and my sister (Bernice Flores)...who have been my main anchors of support just by picking me up when I failed at little things. My dad (Javier Flores) who is still a part of my life but remarried, has also helped me a lot by being the smarter voice in my head, getting me to reach for bigger goals like college, which five years ago, I didn’t think I was good for.
FTF: Your major at UTSA?
OF: I’m currently majoring in Criminal Justice, with a minor in digital forensics, where I hope to accomplish my dreams of working my way through the Federal world and eventually become an FBI agent.
FTF: What is most important in your life and why?
OF: The most important thing in my life is to always remember the person I do these things for and that is my Lord and Savior, it is by His grace that I am who I am, and I wouldn’t change it for the world. It’s just a matter of constantly trusting the plan because He knows exactly what He’s doing.
Paying dues and leaps of faith seem to be the defining actions of artistic individuals who seek and attain the lucrative results of the precarious music industry. These artists are special because they inadvertently, or cathartically, embed their joyful yet arduous journey into their songs, providing listeners with a more rich and robust experience. (The Nashville manufactured country-pop imitators can now promptly exit stage left.Thank you.)
In Del Rio, Peter Herrera III, or PH3, is one of those music artists who has ground down the wheel while logging countless gigs throughout the Lone Star State. From small Whitehead Memorial Museum events to opening for major Texas country music stars in Austin and San Antonio, playing alone or with his band, he has done it all.
“I do a solo gig a lot…that’s actually my livelihood, Herrera said. “It was a big leap of faith having to take that step and stop working a 9-to-5 job…but I think at the end of the day I was meant to do what I’m doing now.”
And he’s crushing it. Herrera is constantly in demand and his band Texas Roots Revival is headed to the studio to record a full-length album. PH3 authored all of the
“There’s so much going on right now…I’m super excited about that to have a full band behind it and that’s excited to be with me. I think it’s going to open up some really big
doors for us, for me,” he said. “I’ve got radio stations clear across the country that are ready to listen to the music.”
Closer to home, Herrera has recorded a solo single, entitled, “Del Rio.” A popular tune in his performance set list that has resonated with folks in the border town.
“I also have a song that I wrote about Del Rio coming out real soon. That’s already been recorded. It’s ready to be uploaded,” he explained. “We’re waiting for the video to be produced…I can’t wait for that.”
Music came early to Herrera. You could say he was born into it.
“I was raised in church. I was raised in a Pentecostal church and…a lot of people don’t know much about the Pentecostal churches, especially Hispanic ones, they don’t mess around when it comes to music. They get down in there,” he commented.
He took up drumming when he was nine years old but seeking an outlet for his teenage angst, he found therapy in the guitar. His father taught him three chords and the rest he picked up by ear.
And with a little bit of unintentional help from Staind frontman-turned country artist Aaron Lewis, Herrera was ready to embark on the journey.
“Aaron Lewis is the reason I started playing music, man. I saw Aaron Lewis do “Outside” by himself and in front of thousands and thousands of people in Biloxi, Miss. My jaw was on the floor and I said I want to do that. I feel that is what I need to be doing and so I did,” Herrera said.
PH3 prefers not to define his music feeling that paints artists into a corner, but categorizes it without really categorizing it.
“You get put into a box enough as it is in the industry. And it’s a hard enough industry to be in…and if you don’t fit into a certain genre then you need to be over here…I think if I had to…it would just be country, traditional with a little Texas rock n’ roll feel.”
Ramon’s medal wins the day In 1940, several hundred Mexican-American men reported for duty at Camp Bowie in Brownwood, Texas, home of the U.S. Army’s 36th Infantry Division or “Texas Division.” Legends were born that day. Particularly in Company E, which was comprised of Hispanics only.
“It’s a story that should have been told many, many years ago,” said Dave Gutierrez, author of the book, ‘Patriots From The Barrio.’ “This is a story that…I’ve always felt should have been written 60 years ago.”
In his non-fiction work, Dave Gutierrez chronicles the accounts and highlights the patriotic heroics of his cousin Ramon Gutierrez and several other Mexican-American soldiers who served in Company E.
“I wanted to show Mexican-American contributions to this nation. Real, significant Mexican-American contributions,” he said. “These men were part of our greatest generation and they should not be forgotten. That’s why I wrote the book.”
The Rapido River crossing serves as the climax to the book where the 36th Division lost 2,000 men in a span of 48 hours in one of the colossal U.S. Army blunders during World War II. Though “Patriots From The Barrio” spotlights a number of soldiers, Ramon Gutierrez’ story is what really drives this narrative.
Arguably, the most interesting individual account in the book is how Ramon Gutierrez was awarded the Order of Patriotic War 2nd Degree from the Soviet Union.
“He became one of only a few Americans to be decorated for valor on the battlefield by the Soviet Union during World War II,” Dave Gutierrez said.
The Soviets had sent an observer to watch the 36th Division landing at Salerno. He overheard what Ramon Gutierrez had done at the landing and was impressed.
When Ramon Gutierrez’ Company E unit disembarked waist deep in water at Salerno his squad was immediately pinned down by German tanks and machine gun fire. After witnessing the demise of two of his comrades, Ramon Gutierrez, with uncontrollable rage and fury, initiated a charge of the machine gun nest. While rapidly approaching the nest he was struck in the arm and subsequently lost his Browning automatic rifle. Despite losing his rifle, he continued the charge and used a hand grenade to dispose of the nest.
“And then he jumped into the foxhole, killed the last German soldier in hand-to-hand combat,” Dave Gutierrez commented. That action earned him the Silver Star and the Soviet medal. On his return from Italy, Ramon received the Order of Patriotic War 2nd Degree degree in Washington D.C. The medal had been given to the Secretary of State, Cordell Hull, by the Soviet ambassador, Andrei Gromyko.
The intriguing stories from “Patriots From The Barrio” have not gone unnoticed by Hollywood. Actor Wilmer Valderrama’s production company has purchased the film rights and is planning to create a six to eight-episode series based on it. Valderrama is known for TV-series, “That ‘70s Show” and “Grey’s Anatomy,” plus films, “Fast Food Nation” and “Larry Crowne.”
But at the end of any story it’s the depth and essence of character that matter.
When Dave Gutierrez heard the call to write this book he knew it was to curate and catalog important stories about the accomplishments and sacrifices of Mexican-Americans.
“I think Latinos in general, we need to look in the mirror and figure out how we can record and document our own history because that is the key that I feel that we need to improve on as Latinos.” (The Casa de la Cultura will be hosting a Dave Gutierrez lecture and book signing (the just-released 2nd edition that includes new stories) May 25.
For more information, please visit authordavegutierrez.com or http://www.lacasadelacultura.org.)
How many times have you stood in the kitchen or sat down at the table and thoughtlessly performed the mindless task of preparation or consumption? I know. You don’t have to answer. It can be boring and
rote. So, why not inject a little bit of culture into your life? Rendering that sweet evening dessert or hot breakfast beverage into something more than just a semi-satiating hand-to-mouth action. Mexican culinary tradition could be the game-changing ingredient that alters your entire experience. A hot-chocolate experience from Chiapas? 28-ingredient mole poblano from central Mexico? Handcrafted molcajete and machacador prep tools?
HERNAN, the brainchild of Del Rio native Isela Hernandez, can provide these hard-to-obtain cultural goods to you directly or indirectly. “We really give the customer an opportunity to fully experience what it’s like...we really facilitate the bringing of the best of Mexican culinary traditions to the U.S. market and also to the world,” Hernandez said. While she primarily targets wholesalers, she said online marketing is now a realistic and effective way to directly reach the consumer. “We’re partnering with other social media...personalities...generally, entities that...share our values as far as upholding Mexican culture and
culinary traditions and who love our products to promote them online and to allow people who might not otherwise have access to...both the kitchenware and the food products allow them to experience them at
home and delight in them.”
It’s a small business that has made a big splash. Hernandez has received sofi Awards (the Oscars of the specialty food industry), been featured in Martha Stewart Living and recognized by the U.S. Department of State for her work with producers in Mexico. Her progressive sensibilities matched with her love of Mexican culture and a ripe market space gave birth to this unique business of specialty culinary items. She explained that, “I wanted to utilize that talent to do something that was more socially positive and I decided that would be something that was a combination of something that was promoting my Mexican culture and also sort of taking advantage of the market space in that people love Mexican food...a lot of it often isn’t even crafted in Mexico. So, that’s where I saw my niche.” Hernandez began with the kitchenware line understanding that authentic kitchen prep tools from Mexico were somewhat scarce in
most areas of the U.S. HERNAN’s hot chocolate frother brought her into the food space.
The Cornell-educated Hernandez said that all the products are clean and 100-percent natural; the ceramic serveware and cookware items lead-free. But most importantly, she endeavors to provide a satisfying cultural experience for the customer. “These are not just items. It’s a culture, it’s a history I’m trying to promote...I think we do a really good job of describing what this is for,” she said. Locally, you can find HERNAN products at the Whitehead Memorial Museum and in San Antonio at H-E-B Central Market. Please visit the website at hernanllc.com for more information and online ordering.